Mike Rowe’s “Something to Stand For” is everything today’s pop culture isn’t.
Sentimental. Patriotic. Sincere. Aspirational.
It takes time to adjust to Rowe’s approach, one targeting heartland values sans apology. Yet even cynics will forgive the corny recreations and bald patriotism for one reason.
Rowe knows a ripping good yarn when he finds one. And even though Rowe declares his apolitical mien in the film no dyed-in-the-wool Leftist will dare watch it until the end.
That’s their loss.
Rowe plays Mike Rowe, former host of “Dirty Jobs” and unofficial chronicler of the American experience.
He’s taken tales from his podcast, “The Way I Heard it,” and brought nine special stories to life. The concept honors radio pioneer Paul Harvey and his signature surprises. The legend’s show, “The Rest of the Story,” set the template Rowe unabashedly duplicates here. He cloaks tales of famous Americans so we don’t know the person in question into the waning seconds.
The gimmick worked for decades under Harvey’s watchful eye. It’s just as engaging with Rowe behind the mic.
Rowe starts each story from behind a desk in an empty theater, setting the stage for the recreations to come. It’s Rowe’s voice we hear through each history snippet, often requiring actors to lip sync his narration.
It’s a wobbly gimmick that fails as much as it succeeds.
The recreations themselves are similarly inconsistent. They’re used to mask some story details, like modern-day settings which give way to century-old events.
As the famous Connect Four commercial says, “Pretty sneaky, Sis.”
Rowe’s screen presence, honed extensively on the small screen, is warm and reassuring. He’s the perfect conduit for these tales, never offering a false note.
.@nickgillespie interviews @mikeroweworks about his new film, “Something To Stand For” https://t.co/7m7YS1q9HT
— reason (@reason) June 26, 2024
Our guide says “Something to Stand For” is meant for all Americans, and that’s not Fake News. Exceptions? If you spent the last few months stomping across college campuses screaming “occupiers” and “intifada.
Still, there’s a brief shout out to lower taxes, a maddening case of FBI-style overreach and praise for the one-percenters.
That can’t be an accident.
One story will tickle sci-fi geeks, while the others are catnip for history nerds. A later story is tricky to its core, but Rowe holds our hand along the way.
In between, Rowe drives around the Nation’s Capitol in his battered Bronco, exploring a slice of Americana that rarely gets a closeup. Put down the cynicism. Shove the snark down so deep you can’t even see it.
It’s OK to salute the flag, to honor our fallen soldiers and tear up at the heroes of yore.
Really.
It’s populism on steroids, and the fact that it feels so anathema to our current moment speaks poorly of us, not Rowe and co.
The takeaway is clear. It’s not just inaccurate to deny the sacrifices made to keep America safe and its enduring promise.
It’s wrong.
HiT or Miss: “Something to Stand For” is corny, sincere and unfailing in its American optimism. You’ll feel refreshed after seeing it.
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